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Week in review
“The Birth of Modern Choice: Where life is lived” Daniel T. Rodgers, The Hedgehog Review ...
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“Moral kitsch & standing ovations,” by Max L. Feldman
Max L. Feldman on Balanchine's Divertimento No 15, Cunningham's Summerspace & Martin Schläpfer’s Pathétique.
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A Bayadère for Budapest
La Bayadère opens with a tiger hunt, during which the warrior Solor sends a secret message to his love Nikiya, the temple ...
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A Shakespearean romance comes to New York
On Christopher Wheeldon’s The Winter’s Tale at the Metropolitan Opera House.
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David Lehman wins the twenty-fifth New Criterion Poetry Prize
The Editors of The New Criterion are pleased to announce that David Lehman is the winner of the twenty-fifth New Criterion ...
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“The Critic’s Notebook,” by the Editors
On modern artisans, autochrome photographs, Caetlynn Booth, “Sylvia” & more from the world of culture.
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Renaissance man - The New Criterion
Show AllShow ArticlesShow DispatchShow TNC+ MultimediaAll Authors, , Abel, LionelAbowitz, RichardAdams, HarryAdams, J. ChristianAdams, Michael VannoyAgee, William C ...
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“A practicing art historian,” by Julia Friedman
Julia Friedman on “Wayne Thiebaud: Art Comes from Art,” at the Legion of Honor, San Francisco.
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Poetic tradition - The New Criterion
Show AllShow ArticlesShow DispatchShow TNC+ MultimediaAll Authors, , Abel, LionelAbowitz, RichardAdams, HarryAdams, J. ChristianAdams, Michael VannoyAgee, William C ...
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“Science and accountability,” by Scott W. Atlas
Scott W. Atlas on restoring trust in healthcare.New to The New Criterion? Become a subscriber to receive ten print issues and gain immediate access to our online archive spanning more than four ...